The exhibition Angelo Cortesi una vita nel progetto celebrates the designer’s career, highlighting his militant approach and design as an evolving project.

The exhibition includes drawings, models, prototypes and projects for the Far East, Linate and Malpensa airports, and Cadorna station. Curated by Luciano Galimberti, with Valentina Fisichella, the exhibition design is by Alessandro Colombo and Paola Garbuglio.

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In Francesco Maria Messina‘s functional art, nature and classical influences come together in unique pieces made by Tuscan craftsmen. Rare materials and avant-garde design create a dialogue between art, architecture and the sublime.

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Tube Culture Hall presents the new exhibition I Want You To Be Weak, As Weak As I Am, curated by Vittoria Beltrame, featuring works by Gill Button, Cecilia Fiona, Ellie Kayu Ng, Gal Schindler and Melania Toma.

The exhibition explores vulnerability as a strength, highlighting the courage to express intimate feelings and thoughts. Inspired by Milan Kundera’s The Unbearable Lightness of Being, the title invites us to reflect on the complex balance between lightness and heaviness in life. With a mix of the abstract, the figurative and the surreal, the artists share profound emotions, demonstrating that self-expression through art is an act of extraordinary strength.

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Carpenters Workshop Gallery and Vincenzo De Cotiis Gallery present Archaeology of Consciousness, a continuation of the body of work presented in Milan and London.

For this exhibition, Cotiis created contemporary sculptures, inspired by ancient archways and made from rare marble, recycled fibreglass and Murano glass and crafted through a process of reclamation. In these artworks, the artist takes a perfectly conceived structure and reworks it in his own image, revolutionising the arch’s ancient and previously unchallenged connotations. Representations that historically celebrate strength and triumph are transformed into amorphous archaeological rejects, simultaneously iconic yet neglected.

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The Vivavoce Association, led by Giovanni Muscarà, offers a multi-sensory journey exploring the voice as a tool for expression and inclusion.

Five days of exhibitions, meetings and workshops to rediscover the power of the voice, between art and reflections on its impact in contemporary society. A journey that invites people to experience the voice in a more conscious way.

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The exhibition Design di Filiera. La Filiera della Ceramica / 10 anni di ADI Ceramics & Bathroom Design Award – curated by ADI – investigates the supply chain of the Italian ceramic industry, passionately recounting the tenth anniversary of the ADI Ceramics & Bathroom Design Award, celebrated during Cersaie.

Through a video installation and the permanent collection of the Compasso d’Oro, presenting works by talents such as Odo Fioravanti and Jasper Morrison, together with the documentary Ceramics of Italy, directed by Esmeralda Calabria, which explores sustainability in the sector.

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The exhibition showcases posters created by the Japan Graphic Designers Association (JAGDA) and the Hiroshima International Cultural Foundation. In 1983, the Foundation launched a poster campaign to promote peace, called ‘Hiroshima Appeals‘.

From 1983 to 1989 and resumed in 2005, the project saw the creation of a new poster each year by Japanese designers to commemorate the bombing of Hiroshima and Nagasaki.

C+N Gallery CANEPANERI opens the new exhibition season with the collective exhibition show The Name of the Rose. Step 2, curated by Charles Moore. After its debut in Genoa, the exhibition brings the works of MJ Torrecampo, Harriet Riddell, Chigozie Obi, Mie Olise Kjærgaard and Gonzalo García to Milan.

Through a variety of techniques and media, the artists reflect on the value of the rose in contemporary art, drawing inspiration from the thought of Umberto Eco to renew the concept of beauty as a subjective and constantly evolving phenomenon.

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The exhibition ParoleImmagini presents the artist photographer Giulio Cerocchi. On display are works that blur the boundaries between art, word and image.

Cerocchi uses cataloging techniques and linguistic contamination to offer new interpretations of reality and unprecedented views of the world.

Opening hours from November 7:
Mondays from 3 to 6 p.m.
Tuesday through Friday from 10 a.m. to 6 p.m.
Saturday from 3:00 p.m. to 6:00 p.m.

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A special installation combines archive images of the photographer with new works, highlighting subtle connections between reportage, fashion and art. The images invite viewers to rediscover parts of themselves, exploring the beauty, vulnerability and complexity of existence, revealing the profound truth of being human.

Kaufmann Repetto Gallery presents Katherine Bradford’s Humankind, an exhibition in which androgynous bodies come to life through luminous brushstrokes and fluid colours. Colour, the absolute protagonist, dissolves boundaries of gender and race, creating intricate human connections.

Bradford explores themes of community and belonging, and her personal experience emerges powerfully, highlighting her decades-long commitment to the arts communities of New York and Maine and her deep belief in the bonds between human beings.

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The itinerary of the exhibition includes over a hundred photographs by the Ballo+Ballo studio, some design objects, on loan from the ADI Design Museum and from the Applied Art Collections of the Castello Sforzesco and some original objects belonging to the two photographers, as well as art magazines era with which the Ballos collaborated and volumes containing their photographs.

The exhibition is accompanied by a bilingual catalogue, Italian-English, with scientific apparatus, essays and images, published by Silvana Editoriale.

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The first exhibition in Italy by the young Ukrainian artist Iryna Maksymova, who through her paintings and tapestries woven by hand explores the themes of feminism and national identity, often overlapping these concepts in an aesthetic dimension that draws on outsider art.

The artist has translated her interest in Ukrainian folklore and naïve art into a figurative lexicon capable of combining impressions of the past and the urgent issues of the present.

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The installation of the sixth edition of AMART, designed by Pellizzari Studio, celebrates the dialogue between the ancient and the contemporary, presenting works ranging from the neoclassical to the modern and enhancing cultural heritage.

The advertising campaign, with contemporary references, emphasizes the relevance and appeal of collecting, making antiques accessible and relevant in everyday life.

Opening hours:
Wednesday through Saturday from 11 a.m. to 8:30 p.m.
Sunday from 11 a.m. to 7:30 p.m.

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The exhibition GIORDANI. The Myth of Pedal Cars celebrates the stylistic and constructive evolution of pedal cars from the 20th century to the 1970s. Through the collaboration of 25 expert Italian collectors, it reveals the beauty and value of an important page in the history of play and design.

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The ninth edition of JAZZMI brings Milan back to the centre of jazz: concerts in theatres, clubs and alternative spaces of the city, films, exhibitions, special events and much more. A project by Associazione JAZZMI, Ponderosa Music & Art and Triennale Milano Teatro in collaboration with Blue Note Milano.

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The first solo exhibition in the gallery of the Palestinian artist Nidaa Badwan (Abu Dhabi, 1987) takes its name from the unpublished corpus of photographic works Rinascita, a project born from the need to cross a series of thresholds in one’s artistic and personal path to reach a condition of awakening and rebirth.

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The Jam exhibition by Jonathan Calugi, a Tuscan artist known for collaborations with Nike, Apple and Google, offers a unique opportunity to explore his creative universe and celebrate ten years of culture at the Vicolo.

Calugi, already recognised in Milan for his mural interventions at Scalo Farini and Mercato Centrale, stands out for his sinuous intertwined black lines and colourful geometric shapes, which characterise his artistic approach between illustration and painting.

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On the occasion of Milan’s Women Fashion Week, the programme of the 10corsocomo gallery dedicated to visual arts restarts with the exhibition of the American artist Talia Chetrit.

The 28 works selected from her artistic production and created over thirty years – including self-portraits, family scenes, still lifes and street photography – explore themes related to the representation of the self, power dynamics and sexuality. Her poetic and provocative works question the nature of photography and invite us to reconsider the way we look at images.

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The thirteenth edition of BookCity Milano chooses to dedicate itself to the thematic focus of War and Peace. An event dedicated to books and reading with a schedule of events spread throughout Milan.

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The exhibition, entitled ‘The City on the Water’, is a photographic exploration of the reflection of urban architecture on water. It emphasises the ephemeral and poetic link between city and nature. The images, which have not been retouched, capture the quality of reflections in the waters of Milan, Venice, Florence and other cities. They offer a vision of urbanism as art in motion.

Admission to the Aquarium is free with the purchase of an entrance ticket.

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Arte Conservativa is the solo exhibition of Cristina Corvino – a restorer and architect – who explores the link between art and life through works created by combining mixed techniques and natural pigments.

Between ancient and modern, Corvino transforms historical materials into unique compositions, reflecting on themes of transformation, memory and rebirth.

Opening hours from November 7:
Mondays from 3 p.m. to 6 p.m.
Tuesday through Friday from 10 a.m. to 6 p.m.
Saturday from 3:00 p.m. to 6:00 p.m.

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Marco Palmieri is engaged in further artistic research, with the objective of identifying and outlining salient traits of the constant structures of the spatial imaginary. This research is being conducted through the staging of a vision that encompasses a range of historical and contemporary artistic movements, from Renaissance Annunciations to 20th-century Metaphysics, and extending to the photographic works of Luigi Ghirri.

Monday to Friday, 15:30 to 19:30
Saturdays and mornings by appointment

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The Mimmo Scognamiglio gallery presents Dream under construction the first Italian solo exhibition of Johny Alexandre Gomes, known as Jota. A central theme of his works is the confrontation with the mistrustful gaze of Brazil’s white community, which Jota experiences as a young black artist growing up in the favelas.

This perspective gives rise to the irony of works such as the Chapadão scenario painted on a skateboard, a sport perceived in his community as a hobby for the well-to-do. Sacredness and spirituality blend with everyday life in his works, enriched by unusual techniques learnt during his work as a bricklayer and inspired by community experiences.

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The exhibition RETI 2024 puts the works of Paolo Cancelliere, Luca Cecioni and Claudio Magrassi in dialogue with the work of Milanese sculptor Rachele Bianchi.

Focusing on the female body, the exhibition explores powerful and delicate sculptural forms inspired by the great artistic tradition of the 20th century and beyond.

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The exhibition showcases the work of Nicolas Pelzer and Tal Regev. Pelzer’s work focuses on the interplay between technology and its impact on modern values, particularly the discrepancy between technology and nature. By contrast, Tal Regev depicts the human figure in his luminous and nuanced paintings, exploring the tension between inner energy and outer manifestations. His layered and enigmatic works reflect an ongoing pursuit of illumination and meaning.

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Created for Gorlan, Above, Between, Below is the first carpet collection designed by Paritzki & Liani – part of the international architecture firm P&L Architects. The collection explores the relationship between space and surface. At the presentation, Paola Liani, Itai Paritzki – founders of the studio – Manuel Orazi and Paolo Rosselli will discuss architecture, carpets and visual representation.

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Cardi Gallery is pleased to announce the opening of MONUMENTAL, a group exhibition that presents band highlights the impact of poor materials and essential gestures. The exhibition is spread over two floors: the ground floor will display impressive sculptures by Jannis Kounellis, accompanied by works on canvas by Alighiero Boetti, Mario Merz and Giuseppe Penone. The first floor will host a multi-panel installation by Luciano Fabro, one of the founders of Arte Povera.

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On the occasion of the 100th anniversary of the murder of Giacomo Matteotti, the Anna Kuliscioff Foundation organizes, in collaboration with the Civiche Raccolte Storiche, an exhibition which aims to investigate his relationship with the city of Milan.

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The exhibition investigates the theme of the allegory of death and the dance macabre, addressed by Martini in some important works, such as L’Albo della morti (1894-1896), an exceptional cycle of drawings, of clear Nordic inspiration, to go as far as the famous postcards of the European Danse Macabre, published by the publisher Longo of Treviso on the occasion of the First World War.

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On the occasion of the gallery’s 7th anniversary, BUILDING celebrates the artist Remo Salvadori with a solo exhibition.
The works, which are spread over three floors and exterior facades, transform architecture into a living organism, in which the artist intervenes with precision and depth. Between site-specific installations and emblematic sculptures, Salvadori explores the dialogue between matter, light and space, offering an immersive journey between art and meditation.

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The widespread initiative narrates and celebrates the institutions and locations that played a pivotal role in Ugo Mulas’ professional activities, underscoring the close bond between the photographer and Milan.

Pinacoteca di Brera, Palazzo Citterio and Museo Poldi Pezzoli will exhibit some of Ugo Mulas’ works, intimately connected to their location and history. The main exhibition is at Palazzo Reale.

In December 2024, Palazzo Citterio will also join the project, on the occasion of its new opening.

Elena Salmistraro presents her first solo exhibition Alchimie nel Vuoto, curated by Silvana Annicchiarico. This fascinating journey blends design, art, and material experimentation, where the concept of emptiness becomes a space for creative and alchemical transformation.

The exhibition unfolds along a path where materials like ceramics, glass, and metal combine into new, concrete alchemies, giving rise to a symbolic and poetic universe that embraces the sinuous and organic forms.

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Delvis Unlimited presents Metallica, an installation that explores metal as a key material in contemporary design.

Curated by Matteo Cibic, the work creates a dialogue between design and art with contributions by Derek Castiglioni, Duccio Maria Gambi and Goldschmied&Chiari.

The exhibition “DesignUP – Solutions of Continuity” is the new thematic deep dive into the permanent collection of the Compasso d’Oro award. In this renewed selection of products and design methodologies, it aims to represent each product as the result of a complex system—solutions of continuity, indeed—that give iconic objects of Italian design their uniqueness.

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