In mostra sono presenti oltre 150 opere, molte mai presentate prima in Italia, progettate dai nomi più rappresentativi del design moderno e contemporaneo, che hanno segnato la storia del design giapponese a partire dagli anni Sessata del Novecento, ma anche esponenti delle ultime generazioni, meno note al pubblico internazionale.

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Gallery Moshe Tabibnia presents an unprecedented dialogue between Barca [Boat] (1983-1985), a sculptural work by artist Hidetoshi Nagasawa, and the extraordinary collection displayed on the ground floor (Brera Room) of the gallery, which features five examples of 16th Century Small Medallion Ushak rugs, so-called “Tintoretto”.

On the occasion of the exhibition Hidetoshi Nagasawa. 1969-2018 curated by Giorgio Verzotti, hosted from April 4th to July 20th, 2024 at the contemporary art gallery BUILDING in Milan, Gallery Moshe Tabibnia displays the artwork Barca [Boat] (1983-1985)

Everyday.

BUILDING presenta, dal 4 aprile al 20 luglio 2024, Hidetoshi Nagasawa. 1969-2018, una grande retrospettiva a cura di Giorgio Verzotti, dedicata a uno dei più grandi artisti operanti in Italia dalla fine degli anni Sessanta, dislocata in tre sedi espositive della città di Milano: BUILDING, Galleria Moshe Tabibnia, Casa degli Artisti.

Attraverso una selezione di circa 40 opere, l’esposizione intende documentare in sintesi l’intero arco dell’attività dell’artista: dai video che testimoniano le sueperformances degli inizi (per certi versi affini alle operazioni delle coeve Land e Body Art), passando per le prime sculture, dove il gesto è sempre implicato come prima matrice, fino ad approdare alle sculture di grandi dimensioni spesso giocate su equilibri arditi – che sono state la cifra più tipica di Nagasawa.

Everyday.

Tempesta Gallery presents the bioistic installation and further biofuturistic works by Ukrainian artist Alyoscha. The exhibition offers an immersion in the artist’s multiverse of delicately colored and translucent forms, inviting the public to reflect on eudemonism, a doctrine that considers happiness natural for man and assigns human life the task of achieving it, alongside bioethics, a field of research and reflection that aims to study the complex moral, social and legal problems raised by developments in the life sciences.

Everyday.

The Civic Aquarium presents the exhibition “The mystery of water” by the artist Francesco Toniutti, promoted by the Municipality of Milan Culture and the Civic Aquarium of Milan and curated by Paolo Biscottini.

The exhibition is an opportunity for the display of a series of unpublished works inspired by biblical and literary texts around the theme of water, life and destiny. Starting from suggestions born from the story of Jonah and his nineteenth-century “transposition”, Moby Dick, the journey – divided into three sections – ultimately arrives at a “pictorial translation” of poetic passages by Eliot and Ungaretti. Toniutti continues his artistic journey with over 30 works in which the figurative imagination, through the expressive gesture, reaches the point of vision. For the first time, ceramics completing the pictorial cycle are on display.

Everyday.

Mercoledì 8 maggio 2024 si inaugura TERRA ROSSA, una nuova mostra di Velasco Vitali incentrata sulla produzione dell’artista dedicata ai campi da tennis in terra.

Terra Rossa ci offre una chiave di lettura, uno stimolo a interrogarsi sulla potenza delle immagini nell’epoca contemporanea e su come si possano immaginare nuove visioni a partire da questo color terra, che trasforma il campo da gioco in una dimensione archetipica: in queste opere il colore arriva alla sua essenza con il compito di raccontare o immaginare, giocando solo con la materia che lo compone.

In occasione della mostra sarà presentato il volume Terra Rossa di Matteo Codignola e Velasco Vitali, Edizioni Henry Beyle.

Everyday.

Casa degli Artisti opens the doors of what was Hidetoshi Nagasawa‘s studio and names it in memory of the artist with an official ceremony open to the public. The title coincides with the important retrospective curated by Giorgio Verzotti that BUILDING dedicates to the Japanese artist and which, thanks to the collaboration with Casa degli Artisti, also finds hospitality in what was once Nagasawa’s studio.

In the atelier on the first floor which was Nagasawa’s studio for thirty years, in collaboration with Casa degli Artisti, will inaugurate the third location of the Hidetoshi Nagasawa exhibition. 1969-2018, an exhibition project that opened on April 4th at BUILDING and Galleria Moshe Tabibnia.

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The Brera district hosts the flagship store of Dynamo The Good Company, an outdoor clothing brand born at Dynamo Camp, the first Recreational Therapy Camp in Italy, which provides free stays for children and young people with serious or chronic illnesses and their families, for periods of vacation and fun with qualified assistance.

Dynamo has entered into a collaboration with Sebago, which has designed a limited edition presented on Tuesday, May 7th at the flagship store in Via Ponte Vetero, 13. Proceeds will be allocated to the Dynamo Foundation.

Everyday.

Galleria Gracis presents the next exhibition set up in the spaces of Piazza Castello 16 dedicated to the work of the Milanese artist Emilio Tadini (Milan, 5 June 1927 – 25 September 2002). A multifaceted artist and writer, Tadini has investigated a multiplicity of themes throughout his career, usually brought together in cycles, in the constant desire to narrate his contemporary reality.

The exhibition project focuses on the cycle of works grouped under the title of Archaeology and Archeology with de Chirico, created by Tadini in the early 1970s.

Monday-Friday, 10.00-13.00 | 2.00pm-6.00pm Saturday by appointment

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The Antonio Battaglia Gallery inaugurates a personal exhibition dedicated to the Italian-Dutch sculptor Lidia Palumbi, a refined and silent artist. The Italian cultural background and the influence of Nordic thought converge in the development of a sculptural language in which the essentiality of the form combines with a strong emotional content.

The careful selection of the works enters into a relationship with the exhibition space, creating a minimal installation setup that gives each work the right spatial and spiritual dimension that the artist’s work requires, opening the visitor to a certain reflective calm in the observation of the works on show.

Everyday.

The Milan branch of the Il Vicolo art gallery presents Paper Dolls , the latest solo exhibition by the Florentine artist Chiara Rapaccini.

The exhibition includes a series of works including drawings on paper, sculptures and acrylics on wood and canvas, where Rapaccini, ironic and irreverent, tells the story of the female world through the ancient game of paper dolls, showing a critical and provocative vision of contemporary society addressing issues such as sexuality, freedom and female empowerment. The artist, with his unique and original style, manages to convey his ideas with strength and intensity through his works, characterized by a synthetic, decisive sign, full of humour, and bright colours, creating an open and stimulating dialogue with the public.

During the inauguration the artist will create new cartoons chatting with the public.

Everyday.

A festival that, for three days, transforms the Brera district into a gigantic concert hall, theaters and squares, gardens and courtyards, museums, galleries, and private homes.

Piano City Milano is a project by Associazione Piano City Milano with Comune di Milano, curated by hdemia and Ponderosa Music&Art Srl.

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Thoughts, images of Daria, a work by Mario Ceroli from 1974 never before included in an exhibition project, offers the title and inspiration for the exhibition in which it is finally presented to the public together with Tra-vasi, a ceramic work created by Francesca Zoboli.

The exhibition will be enriched by some projects from the Spazio RT collection and by some unique pieces of historical design, presented not as finished objects, but broken down into parts not yet assembled. A still image that establishes the design and construction path, opening up what is normally taken for granted and asking the gaze to freely investigate the object, to imagine it in the creative process which is dynamic by its nature.

Everyday.